What we bring
24 things we can do on your meeting room table.
You give us a room and a table. We bring everything, take it away again, and leave nothing behind but the things people made. No kiln, no wheel, no open flame, nothing plumbed in. Every one of these runs for up to 20 people and finishes inside ninety minutes. If you have something else in mind, ask, because our makers do more than this.
Paper and print
Flat, quiet, almost no mess. The easiest thing to run in a room with a carpet.
Origami
Up to 20Paper, focus, and a satisfying object at the end. Scales to a big room better than anything else here.
Lino printing
Up to 20Carve a block, pull a print. Everyone ends up with something they can pin above a desk.
Brush lettering
Up to 20Slow, absorbing, and the closest thing to handwriting practice for adults.
Bookbinding
Up to 20A simple stitched notebook. Fiddly in the good way, and useful afterwards.
Zine making
Up to 20A brief, scissors, a photocopier. Sixty minutes from nothing to a finished thing.
Collage
Up to 20Scissors, glue and a pile of old magazines. The lowest barrier on this list, and the one nobody can be bad at.
Plants and flowers
Smells good, looks good on a desk for a fortnight, and everyone knows what to do with it.
Ikebana
Up to 20Japanese arranging. Fewer stems than people expect, and far more thinking.
Bouquet building
+£200Hand-tied and wrapped. The one people photograph on the way home.
Flower crowns
Up to 20Silly on purpose. Very hard to stay guarded in one.
Kokedama
Up to 20Japanese moss balls. Meditative to build, alive for months afterwards.
Terrariums
+£200A small closed world in a jar. Layered, precise, weirdly calming.
Dried wreaths
+£150Forgiving, and it lasts. Runs as a Christmas wreath from late November without being naff about it.
Dried flower cloud
+£200A hanging arrangement the room builds together and the office keeps. The one people photograph on the way out.
Clay and repair
The messiest on the list, still fine on a covered table. Nothing needs firing.
Hand-built clay
Up to 20Air-dry, no kiln, no wheel. Pinch pots and slabs, dry by the following week.
Kintsugi
+£250Repairing broken bowls with gold. The metaphor does a lot of work by itself.
Small mosaics
+£150Tiles, nippers, grout. Repetitive in a way people find they like.
Thread and metal
Nothing but hands and a small kit. The quietest sessions we run.
Crochet
Up to 20Slower than it looks, more addictive than expected. Good for a learn-then-teach format.
Embroidery
Up to 20A hoop, a needle, one afternoon. People carry these on to finish at home.
Small-loom weaving
Up to 20Rhythmic and hard to get wrong, which suits a nervous room.
Jewellery making
+£300Wire, beads, pliers. Fine motor work and an object someone will actually wear.
Scent, wax and paint
Small kit, big reaction. Good when you want something that feels a bit special.
Candle making
+£150Container candles, poured and scented. No open flame needed to make them.
Perfume blending
+£300Top, heart, base. Everyone leaves with a bottle nobody else has.
Portrait sketching
Up to 20Drawing each other, badly, on purpose. The most exposing thing on this page.
Watercolour
Up to 20Loose, forgiving, and impossible to control, which is the point. Acrylic instead if the room would rather cover the paper.
Choosing one
You do not have to pick. Most people let us.
Tell us the room, the number of people and roughly what you are hoping for, and we will suggest one. Almost everything here is the same price, £2,250for a room of up to 20. A few cost more because the materials genuinely do, and those say so on the card, so what you pick is rarely a budget decision. Mostly it is a question of what the room needs on the day.